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Saint Saens Morceau de concert, Op.154 for Harp and Orchestra (Complete parts without Solo Harp Part
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.772394 Composed by Saint Saens.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.772394 Composed by Saint Saens. Arranged by Amir Awad. Romantic Period. Score and parts. 76 pages. Amir Awad #6304515. Published by Amir Awad (A0.772394). Morceau de concert, Op.154 for Harp and OrchestraOrchestral parts without the solo harp part
$30.00
27.99 €
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Orchestra
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Saint Saens
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Saint Saens Morceau de concert, Op.154 for Harp and Orchestra
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Amir Awad
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pél…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
36.34 €
#
Orchestra
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pél…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.94 €
#
Orchestra
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concerto in Bb Major for Double Bass and Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.61 €
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Orchestra
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Robert E
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Concerto in Bb Major for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
Away in a Manger (Gloria, Gloria All Be Blessed!) for Soloist, SATB Choir and Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional …
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Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional and James Nathaniel Holland. Arranged by James Nathaniel Holland. Children,Christmas,Contemporary,Sacred. Score and parts. 42 pages. James Nathaniel Holland #3886465. Published by James Nathaniel Holland (A0.730472). One of the most iconic hymns of Christmas arranged by American composer James Nathaniel Holland and expanded with an original new chorus with new text. This arrangement/new work contains both traditional melodies (Flow Gently and Away in a Manger). Here presented for soloist (or solo treble instrument in C) SATB choir and full orchestra. A meandering string counter-melody accompanies close choir harmonies and a simple beautiful traditional melody. Sentimental, quiet perfect for choir boy soloist or perhaps children's choir. Intermediate level. Full score in concert pitch and individual parts including vocal parts included. Versatile enough to be used with the other arrangements in this key.Instr: fl12, ob, eh, cl12, bsn12, hrn12, tpt12, trom 12, timp, perc. (glk, tri., hand cym.) harp and strings. Duration: 6 minutes and 49 seconds.Composers website: https://www.facebook.com/jamesnathanielholland/
$23.50
21.93 €
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Orchestra
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Traditional and James Nathaniel Holland
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Away in a Manger
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James Nathaniel Holland
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SheetMusicPlus
Concerto in A Minor for Double Bass and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.809759 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809759 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 148 pages. R. E. Proctor #2897651. Published by R. E. Proctor (A0.809759). A more challenging work for the double bass and orchestra than the Concerto in Bb Major. Rhythmic with interesting melodies and harmonies the Concerto in A Minor gives the soloist an opportunity to display his / her facility on the double bass while remaining interesting to a wide cross-section of listeners. The harp plays a major roll in this work setting the harmonic background on which the bass plays over. Set in the standard fast / slow / fast arrangement of movements in the traditional concerto format. The approximate performance length is 15 minutes and 44 seconds. The full range of the standard double bass is explored. Piano reduction available separately. See my publisher page on this website. Email to: musicbyrobertproctor@hotmail.com.
$19.95
18.61 €
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Orchestra
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Robert E
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Concerto in A Minor for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
The Mandalorian (orchestral Version)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1355911 Composed by Ludwig Gora…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1355911 Composed by Ludwig Goransson. Arranged by Isaiah Castro. 21st Century,Classical,Film/TV. 43 pages. Maestro Castro Publishing #940634. Published by Maestro Castro Publishing (A0.1355911). THE MANDALORIAN (orchestral version) from Star Wars: The MandalorianComposed by LUDWIG GÖRANSSON Arranged by Isaiah CastroInstrumentation3 Flutes (3rd doubles Picc.)2 Oboes2 Clarinets in B-flatBass Clarinet2 Bassoons 4 Horns in F3 Trumepts in C3 TrombonesTuba TimpaniPercussion (3 players) Piatti Suspended Cymabl Snare Drum Bass Drum HarpStringsPage size: 9 x 12.
$100.00
93.3 €
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Orchestra
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Ludwig Goransson
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The Mandalorian
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Maestro Castro Publishing
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SheetMusicPlus
Souvenirs d'un concert (Serenata) for Tenor and Orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Br…
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Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Bracco. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 144 pages. Alexander Timofeev #6669179. Published by Alexander Timofeev (A0.966146). This is an arrangement for Tenor and Orchestra of Souvenirs d'un concert (Serenata) by C. Adolfo Bracco. Lyricist: Enrico Caruso. This arrangement of Serenata was inspired by the famous recording sung by Mario Lanza. Tenor range: D3-B4. Full Score, and Parts are included. The arrangement is scored for Tenor and Orchestra: 2-2-2-2, 2-0-2-0, 1 perc., harp, strings. The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (2), Trombones (2), Percussion (1), Harp (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4). If more string parts are needed, please purchase two or more copies of this arrangement.
$79.99
74.63 €
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Orchestra
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C
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Souvenirs d'un concert
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Alexander Timofeev
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SheetMusicPlus
Ange Flégier: Le Cor for horn and orchestra, score and complete parts
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.534251 Composed by Ange Flégie…
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Full Orchestra - Level 4 - Digital Download SKU: A0.534251 Composed by Ange Flégier. Romantic Period,Standards. Score and parts. 60 pages. Musik Fabrik Music Publishing #3238149. Published by Musik Fabrik Music Publishing (A0.534251). Ange Flégier's most famous work for Horn and orchestra, in Flégier's original key (D major) and orchestration. The orchestration is for horn solo plus 2(pic)222/4231/timp/perc/harp/strings. Parts for A and Bb clarinets and Bb and C trumpets are included in the set. Individual parts are also available for sale. A version for horn and piano (in Flégier's key of D major) as well as a version for concert band are also for sale.
$77.95
72.73 €
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Orchestra
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Ange Flégier
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Ange Flégier: Le Cor for horn and orchestra, score and complete parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Dziasiaj w Betlejem ("O Come Rejoicing") for solo baritone, youth choir and orchestra
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.1179704 By Patrick Sheehan. By …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1179704 By Patrick Sheehan. By Traditional Polish. Arranged by Patrick Sheehan. Children,Christmas,Classical. Score and parts. 74 pages. Patrick Sheehan #779688. Published by Patrick Sheehan (A0.1179704). A new arrangement of the traditional Polish Christmas carol which features a solo baritone vocalist, youth choir and orchestra.INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe, English Horn (F), Bassoon I, Bassoon II, Clarinet I (Bb),Clarinet II (Bb), Bass Clarinet (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, Solo Baritone Voice, Youth Chorus, Crash Cymbals, Bass Drum, Timpani, Harp, Violin I, Violin II, Viola, Violoncello, Contrabass.ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
46.65 €
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Orchestra
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Patrick Sheehan
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rock selections
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Dziasiaj w Betlejem
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Patrick Sheehan
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SheetMusicPlus
Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired Thérèse Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'écho des hymnes que les sphères chantent dans leurs révolutions Le chant des mondes qui évoluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mélodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablés nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prêtant l'oreille à la musique, Car la musique lui rappelle les joies de sa première union avec Dieu. D'après JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÉ, UNE PLÉNITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
$29.95
27.94 €
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Orchestra
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Therese Brenet
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Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Water is Wide for mezzo-soprano and Orchestra (Arr. Diehnelt) - PARTS ONLY
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.809055 Composed by Traditional.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809055 Composed by Traditional. Arranged by Kim Diehnelt. Celtic,Contemporary,Folk. Score and parts. 25 pages. Kim Diehnelt #4350497. Published by Kim Diehnelt (A0.809055). The traditional Folk song arranged for mezzo-soprano and orchestra. Also known as O Waly, Waly. This item contains ONLY the ORCHESTRAL PARTS. The conductor’s score and voice/piano versions are each sold separately.Instrumentation: 2 Flutes (2nd Flute doubles on Piccolo), 2 Oboes, 2 Clarinets in A, 2 Bassoons, 4 Horns in F, 2 Trumpets in C, 3 Trombones (2 Tenor, 1 Bass Trombone),1 Tuba,1 Chime pitched to A,1 Harp, Strings Duration: 5 - 6 minutes© 2018 Kim Diehnelt www.kimdiehnelt.com (ASCAP)
$28.95
27.01 €
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Orchestra
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Traditional
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orchestra
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The Water is Wide for mezzo-soprano and Orchestra
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Kim Diehnelt
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SheetMusicPlus
Let Me Weep from The Hero and the Damned, Scene and Aria for Alto and Orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.730378 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730378 Composed by James Nathaniel Holland. Broadway,Contemporary,Opera. Score and parts. 40 pages. James Nathaniel Holland #3056443. Published by James Nathaniel Holland (A0.730378). Let Me Weep is a beautiful aria for the underserved operatic Alto from composer James Nathaniel Holland. This stand alone piece is from the opera The Hero and the Damned where an older Danae has reached the end of her patience of her turbulent life. Here presented in an arrangement for soloist and orchestra. Full score (concert pitch) and individual parts are included. Perfect for the concert stage can be sung by Broadway alto too. Instrumentation: Pic/Fl, Fl2, Ob12, Cl12, Bsn12, Hrn 123, Tpt12, Trm 12, BTrm, Tba, Tim, Per (Bdrm, tri), harp, stringsYouTube presentation: https://youtu.be/XKwmj9mH31g.
$21.95
20.48 €
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Orchestra
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James Nathaniel Holland
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Let Me Weep from The Hero and the Damned, Scene and Aria for Alto and Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.32 €
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Orchestra
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
Orchestra
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann S…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1281940 Composed by Johann Sebastian Bach. Arranged by Stanley M Hoffman. 21st Century,Baroque,Classical. Score and Parts. 14 pages. Stanleymhoffman.com #873294. Published by stanleymhoffman.com (A0.1281940). See YouTube video for Homage to Bach. https://youtu.be/6StWk5pXVrs---Homage to Bach7 Variations for Harpsichord and Chamber Orchestraafter Prelude in C Minor (BWV 999) - ca. 12 minutesPrelude (Harpsichord Solo)1. Theme and Variation 1 (Chamber Orchestra)2. Variation 2 - Maggiore (Harpsichord Solo)3. Variation 3 - Tempestoso (Chamber Orchestra)4. Variation 4 - In 5 (Harpsichord Solo)5. Variation 5 - Waltz - (Tutti)6. Variation 6 - Molto Cantabile (Harpsichord Solo)7. Variation 7 - Tango in which BWV 999 Meets BWV 846, No. 1 - (Tutti)Music by Johann Sebastian Bach (1680–1750)Variations by Stanley M. Hoffman (b. 1959) (BMI)Music by Johann Sebastian Bach: Public Domain. Melody, variations, and engraving: © Copyright 2023 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.The sheet music is available from Stanley M. Hoffman and from Sheet Music Plus.#Bach #JSBach #JohannSebastianBach #homages #music #newmusic #harpsichord #ChamberOrchestra #variations #Baroque #BaroqueMusic.
$7.00
6.53 €
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Orchestra
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Johann Sebastian Bach
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Homage to Bach - Variation 6 - Molto Cantabile - Version for Harpsichord and String Orchestra
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stanleymhoffman.com
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SheetMusicPlus
Seven Tales of Edgar Allan Poe for Viola and Orchestra by Kelly Joe Richardson
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.713436 Composed by Kelly Joe Ri…
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Full Orchestra - Level 5 - Digital Download SKU: A0.713436 Composed by Kelly Joe Richardson. Classical,Contemporary. Score and parts. 488 pages. ALBEDO MUSIC #6102123. Published by ALBEDO MUSIC (A0.713436). The Seven Tales of Edgar Allan Poe for Solo Viola and Orchestra. Full Score & Parts. Composed by Kelly Joe Richardson. Leipzig, Germany, October 7, 2014 - Leipzig, Germany, October 31, 2019 (Completed in Auerbachs Keller). Instrumentation: Flute I, Flute II / Piccolo, Oboe, English Horn, Clarinet in Bb, Bassoon, Contrabassoon, Horn I in F, Horn II in F, Horn III in F, Trumpet I in Bb, Trumpet II in Bb, Timpani, Percussion I (Bricks, Crash Cymbals, Glockenspiel, Snare Drum, Tenor Drum, Triangle, Tubular Bells), Percussion II (Bass Drum, Glockenspiel, Wood Block), Percussion III (Side Drum, Sleigh Bells, Suspended Cymbal, Tam-Tam, Tambourine, Tubular Bells, Wood Block), Percussion IV (Anvil, Chain, Claves, Crash Cymbals, Suspended Cymbal, Tam-Tam, Tenor Drum), Harp, Piano, Viola Solo, Violin I, Violin II, Viola, Cello, Contrabass. Movements: Prologue: Nevermore!, The Masque of the Red Death, Metzengerstein, The Fall of the House of Usher, A Descent into the Maelstrom, The Pit and the Pendulum, Intermezzo: Annabel Lee, The Tell-Tale Heart, The Cask of the Amontillado, Epilogue: The Raven. Dedicated to Paul Neubauer. Performance Duration 57:00. 1,117 measures. AMSM117. © 2020 by Kelly Joe Richardson (BMI). Published by ALBEDO MUSIC Worldwide (BMI). www.kellyjoerichardson.com
$617.00
575.67 €
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Orchestra
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Kelly Joe Richardson
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Parts
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Seven Tales of Edgar Allan Poe for Viola and Orchestra by Kelly Joe Richardson
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ALBEDO MUSIC
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SheetMusicPlus
O Holy Night (ala Josh Groban) Voice and Orchestra Key of C
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.718192 By Josh Groban. By Adolp…
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Full Orchestra - Level 5 - Digital Download SKU: A0.718192 By Josh Groban. By Adolphe-Charles Adam. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship. Score and parts. 92 pages. Daryl McKenzie #4983857. Published by Daryl McKenzie (A0.718192). Arranged in the style of Josh Groban for Voice and Orchestra (with Rhythm Section). Key of C2Fl, 2Ob, 2Cl, 2Bsn, 4 FHn, 3Trpt, 3Trb, Tba, Timp, Perc, Piano, Ac Gtr, Bass Gtr, Harp, Vln1, Vln2, Vla, Vcl, CBAlso comes with optional saxophone parts that cover oboes and bassoons.Arranged for the Gozo Youth Orchestra, Malta. Same arrangement in the key of D for Big Band and Voice also available: http://bit.ly/3ArHmcjMore arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128 www.mckenziemusicproductions.com
$89.99
83.96 €
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Orchestra
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Josh Groban
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O Holy Night
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Daryl McKenzie
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SheetMusicPlus
Hark The Herald Angels Sing - Vocal with Choir and Orchestra Key of G
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.718431 Composed by Wesley, Mend…
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Full Orchestra - Level 4 - Digital Download SKU: A0.718431 Composed by Wesley, Mendelssohn. Arranged by Daryl McKenzie. Christmas,Holiday. Score and Parts. 79 pages. Daryl McKenzie #6133489. Published by Daryl McKenzie (A0.718431). Classic Christmas Carol suitable for community carol singing.Solo Voice, SATB Choir and Orchestra (2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, Alto Sax, Tenor Sax, Bari Sax, 4 F Horns, 3 Trumpets, 3 Trombones, Tuba, Tympani, Glock, Percussion, Piano, Guitar, Bass Guitar, Harp, Violin 1, Violin 2, Viola, Cello, Double Bass)Key of GSame arrangement also available for Big Band, Choir and Voice: Search Here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH
$89.99
83.96 €
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Orchestra
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Wesley, Mendelssohn
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Hark The Herald Angels Sing - Vocal with Choir and Orchestra Key of G
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Daryl McKenzie
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SheetMusicPlus
Concerto for Viola and orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1175939 Composed by Gabriel Yud…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1175939 Composed by Gabriel Yudenich. 20th Century,Contemporary,Multicultural,World. Score and parts. 115 pages. Gabriel Yudenich #776065. Published by Gabriel Yudenich (A0.1175939). Concerto for Viola and orchestraComposition of Gabriel YudenichOrquestration:- Piccolo (1)- Flute (2)- Oboe (1)- Clarinet Bb (2)- Basson (2)- Horn F (4)- Trombone (1)- Tuba (1)- Percussion: Timpani, Snare Drum, Bass Drum, Cymbal and Tam-Tam- Harp (optional)- Viola (solist)Strings: - Violin I (min. 3)- Violin II (min. 3)- Viola (min. 2)- Cello (min. 2)- Bass (min. 2)Version revised in 2023 by the composer
$50.00
46.65 €
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Orchestra
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Gabriel Yudenich
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Concerto for Viola and orchestra
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Gabriel Yudenich
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SheetMusicPlus
Kol Nidrei for Solo Cello and Orchestra
Orchestra
Full Orchestra - Level 4 - Digital Download SKU: A0.1141352 Composed by Max Bruch. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1141352 Composed by Max Bruch. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 63 pages. Zephyrwindmusic.com #741670. Published by zephyrwindmusic.com (A0.1141352). German composer Max Bruch (1838-1920) wrote the sublime and introspective work Kol Nidrei for solo cello and orchestra in London in 1880. It is amongst the most performed works by Bruch. A single movement lasting approximately 12 minutes, it is scored for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, and harp. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$25.00
23.33 €
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Orchestra
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Max Bruch
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Kol Nidrei for Solo Cello and Orchestra
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zephyrwindmusic.com
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SheetMusicPlus
The Force of Destiny Overture - Clarinet solo and orchestra
Orchestra
Full Orchestra - Level 3 - Digital Download SKU: A0.1326423 By Emma Johnson. By Giu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1326423 By Emma Johnson. By Giuseppe Verdi. Arranged by Marcus Martin. 19th Century,Opera. 31 pages. Cornelius Edition (uk) #914583. Published by Cornelius Edition (uk) (A0.1326423). Verdi's popular overture is arranged here in a shortened version for solo clarinet in A and orchestra. As performed by Emma Johnson on her album 'Voyages' this makes an attractive concert item lasting about 4 minutes. A useful encore item for a clarinet soloist in your concert programme. Score and Parts are included 1111. 2230. Harp and Strings. (The trombones are optional).
$20.00
18.66 €
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Orchestra
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Emma Johnson
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The Force of Destiny Overture - Clarinet solo and orchestra
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Cornelius Edition
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
74.64 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
74.64 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestra
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
74.64 €
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Orchestra
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
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